Episodes
Finally, A Show About Lawyers
Lincoln agrees to help a stripper whose job is literally making him sick. But to win in court, he'll need…
Crypt Law Presents: Fearacle on 31st Day
Halloween's in the air on the Strip — and Lincoln's client is a man claiming to be Santa Claus. Can…
The Bad News Bapples
Lincoln and Sheila team up to coach a basketball team for sheltered homeschoolers while Irene combs the office for a…
Glemtastrophe: Anatomy of a Glemsaster
A high-profile case sends Glem to a town where the tap water is 120 proof. Sheila and Lincoln shake up…
The People Vs. Magicians Vs. Animals: Dawn of Justice: Whoever Wins...TA-DA!
With Glem and Irene off at driving school, Lincoln tries to take down an exotic animal show at Sheila's old…
Rocco Prosecco's Virtual Reality Workplace Sensitivity Experience
While a riot rages in the Las Vegas streets, Lincoln and his team — including a newly hired paralegal named…
I Was a Teenage Lawbert
Irene and Sheila create a mascot for the firm's latest commercial and go way over budget. Lincoln learns about Glem's…
We Need to Talk About Heaven
A worried mother hires Gumb & Flambé to help her get sole custody of her son. But the story of…
Trophy Son (Or 'The Mother Wound')
The crew spends the evening at the Golden Gavel Awards, where Lincoln comes to terms with his complicated childhood —…
Finale: A Show About Lawyers
Hotshot lawyers Pringus & Bench are ready to retire. But first, they must defend the maker of a high-tech toilet,…
THEDORAMA.COM Review
"Strip Law," the 2026 animated offering, presents itself as an adult comedy, and at first glance, the premise—an uptight lawyer paired with a flashy Las Vegas magician to tackle "stupid cases"—promises a delightful clash of worlds. The cast, featuring talents like Adam Scott and Janelle James, further fuels an initial spark of intrigue. Yet, by the end of its ten-episode run, the series settles for a curious mediocrity, a 5.8/10 that feels less like a measured assessment and more like a shrug.
The animation style, while not groundbreaking, serves its purpose, leaning into the exaggerated sensibilities of adult comedy. The direction, however, often feels content with simply illustrating the screenplay rather than elevating it. There are glimpses, particularly in the magician's more theatrical moments, where the visual language attempts to mirror the character's flair, but these are too fleeting. It’s a missed opportunity to truly lean into the surrealism inherent in a Las Vegas setting and the bizarre cases it might generate.
Where "Strip Law" truly falters is in its screenplay. The "stupid cases" often feel genuinely stupid, not in a cleverly ironic way, but in a perfunctory, uninspired manner. The dynamic between the uptight lawyer and the flamboyant magician, while initially promising, quickly devolves into predictable tropes. Adam Scott, a master of deadpan exasperation, and Janelle James, with her sharp comedic timing, are underutilized, their performances often constrained by dialogue that lacks genuine wit or satirical bite. Keith David and Stephen Root, veterans of vocal performance, lend their gravitas but cannot single-handedly inject profundity into a narrative that often mistakes surface-level absurdity for genuine humor or insightful commentary.
The series attempts to blend comedy with drama, but the dramatic beats feel underdeveloped, tacked on rather than organically woven into the comedic fabric. Themes of justice, perception, and the absurdity of the legal system are touched upon, but never deeply explored. "Strip Law" ultimately feels like a concept that was never fully realized, a sketch that stretched itself into a season without finding its true voice or purpose. It’s an exercise in competent, yet ultimately uninspired, storytelling.
